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Listening in on Lessons from 'We Are the World'

Dean teaches ARHU course on arts and humanities of a single song.

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Material Culture, Collective Memory and the Work of Repair

American studies Ph.D. student Hannah Brancato combines scholarship, art and community to understand trauma and possibility.

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UMD Launches Global Culture and Thought Major

New program emphasizes international cultures and languages to prepare graduates for an increasingly globalized world.

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How ARHU Students Can Get the Most Out of the Career Center

From exploration to job applications, the University Career Center @ ARHU meets students where they are.

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Whatever your interests and aspirations, ARHU is committed to providing the knowledge, skills and opportunities all our students need to write their own stories and chart their own paths.

"In ARHU, you’re learning about how people interact with the world and each other. My goal is to build things that people are going to use. Just technology knowledge can only go so far. You have to understand how people are going to use them to be truly successful."

Ozzie Fallick '14, Software Engineer, Google
Linguistics

"Cross-cultural communication is one of the most important skills that I learned at ARHU, and I use it to engage and inform the community in Barbados and the Eastern Caribbean about our events, exchanges and any other information that supports our key policy priorities in the region. ARHU gave me the tools to understand why in diplomacy, it’s as much about what you say as how you say it."

Krystle Norman '08, Foreign Service Officer, U.S. Department of State
Spanish and Portuguese

"I had always loved art, but I never knew you could make a career out of it until I studied abroad in Rome. There, I took a full course load of art courses and learned all about the factors of being an art professional. It was life-changing. Now I feel lucky that I’m doing something that I’m so passionate about."

Laura Sheridan Raiffe '09, Regional Account Manager, Christie's Fine Arts
Art History and Archaeology

"One of the most important things I got out of my ARHU experience is my ability to parse arguments, think critically and see multiple sides of an issue. Being in law school, it’s important to do that—it’s a skill I use every day. Not a class goes by, not a case gets read that this skill doesn’t come into play."

AJ Clayborne '13, Student, Harvard Law School
English

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Happening at ARHU

Let’s make a brighter day together! Warmest holiday wishes to you and yours on behalf of all of us in the College of Arts and Humanities. This fall, Dean Stephanie Shonekan designed and taught a first year seminar (ARHU 158) course: We Are the World: The Arts and Humanities of a Single Song. Her vision was to guide students through an exploration of the cultural, artistic, and humanitarian significance of the 1985 charity single written by Michael Jackson and Lionel Richie and performed by an unprecedented ensemble of major American artists. The song served as a powerful artistic response to the Ethiopian famine and has raised more than $80 million to support humanitarian efforts across Africa. Drawing from disciplines such as musicology, history, cultural studies, literature, foreign policy and ethics, the class invited students to think critically about how popular culture can inspire collective action and social awareness. This seminar also introduced students to the four strategic commitments of the College of Arts and Humanities: Transformative Thinking, Boundless Creativity, Expansive Empathy, and Meaningful Futures.
From groundbreaking exhibitions to standing ovations, Fall 2025 was a testament to the power of arts and humanities to inspire, challenge, and transform. Here's to a semester of discovery, creation, and connection. Swipe through to relive the moments that made Fall 2025 unforgettable. 1. Sherrilyn Ifill, professor of law and founding director of the 14th Amendment Center for Law and Democracy at Howard University, at the Douglass Center for Leadership Through the Humanities public lecture. (Photo by Taneen Momeni). 2. Several ARHU faculty were honored for their excellence in service, teaching and research at ARHU's Fall Convocation. Pictured left to right: Regina Haag, ARHU Dean Stephanie Shonekan, James Stern, Michael Votta, Jr., Robert Chiles and Robyn Muncy. (Photo by Taneen Momeni). 3. The Driskell Center's opening exhibition of "Solace & Sisterhood" featuring the works of Lavett Ballard, Amber Robles-Gordon and Evita Tezeno. (Photo by Taneen Momeni). 4. ARHU Professor and Dean Emerita Bonnie Thornton Dill was the recipient of the 2025 UMD President’s Medal. Pictured left to right: Jennifer King Rice, senior vice president and provost; Thornton Dill; ARHU Dean Stephanie Shonekan; and Darryll J. Pines, president of the University of Maryland. Photo by Taneen Momeni). 5. The UMD Art Gallery's fall exhibition "Up Close: Yu Youren" on display during NextNOW Fest 2025. (Photo by Taneen Momeni). 6. ARHU Dean's Scholars Awards Ceremony (Photo by David Andrews). 7. Immersive Media Design New Works Incubator Showcase at NextNOW Fest 2025 (Photo by David Andrews). 8. A performance from the Faculty Dance Concert (Photo by Taneen Momeni). 9. The UMD School of Theatre, Dance, and Performance Studies' production of "She Loves Me" (Photo by David Andrews). 10. Henry Sheppard, Master of Music student (bass), with Peter Sagal, host of NPR’s “Wait Wait … Don’t Tell Me!,” after the ARHU Dean’s Lecture Series. (Photo by Dylan Singleton/University of Maryland).
There are a few more days to check out “We Will Not Be Silent” at @stampgalleryumd , an exhibition curated by third-year Ph.D. student in American studies Hannah Brancato. Brancato, who is an artist, educator and organizer, is a co-founder of FORCE, a collective created to make public art that pushes back against cultural acceptance of sexual violence. FORCE is best known for the Monument Quilt, a series of 3,000 stories from survivors of sexual and intimate partner violence, sewn into 8’x8’ blocks in public defiance of silence and shame. At the Stamp Gallery, each of the four artists featured in the show contributed to the Monument Quilt in different ways, and the exhibition highlights the broader scope of their practices. They include Jadelynn St Dre, a sex and relationship therapist whose performance work centers queer and trans survivors; Nickole Keith, a Potawatomi painter who mourns the impact on missing and murdered Indigenous women; Eva Salazar, a Mexico City-based artist whose mixed-media pieces explore identity and transformation; and Gloria Garrett, a Baltimore folk artist whose colorful paintings celebrate Black history, joy and community. Textiles, salt sculptures, paintings and quilt blocks in the show act as what Brancato calls “carriers of memory.” By externalizing stories that might otherwise remain locked in “body-minds,” she argues, material culture invites viewers to confront “communal histories we must hold and address together.” Photo by Elena Volkova. Learn more at the link in our bio.

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