Research

This article tracks contemporary debates surrounding human trafficking, sex slavery, and the slave trade, in which the specter of the Ottoman empire and its system of slavery—as well as other “Oriental” slave systems—emerge as templates for imagining the place of sex in slavery. At the same time, the authors highlight how Ottoman and “Oriental” slavery is largely considered irrelevant to the genealogy of present‐day racial capitalism. By contrast, the authors argue that considering historically parallel and entangled slave systems is important not just to accounts of modern‐day slavery but also for how we conceptualize the “racial” in racial capitalism and the “queer” and “of color” in queer of color critique. Building on Black feminist historiography on the transatlantic slave trade, the commitments of queer of color critique, and contemporary research concerning sexual violation and racial capitalism, the authors explore how interconnected struggles across the globe are partitioned by imagined frameworks of racial and sexual difference that isolate entangled systems of gendered and sexual enslavement.

A wellspring of wisdom from Black women leaders in higher education for the next generation.



FINALIST FOR THE MIDWEST BOOK AWARDS!



Practical and candid, this book offers actionable steps to help Black women leaders create meaningful success. The reflections and recommendations of the contributors forge a critical and transformative analysis of race, gender, and higher education leadership. With insights from humanities, social sciences, art, and STEM, this essential resource helps to redefine the academy to meet the challenges of the future. Dear Department Chair is comprised of personal letters from prominent Black women department chairs, deans, vice provosts, and university presidents, addressed to current and future Black women academic professionals, and offers a rich source of peer mentorship and professional development. These letters emerged from Chair at the Table, a research collective and peer-mentoring network of current and former Black women department chairs at colleges and universities across the U.S. and Canada. The collective's works, including this volume, serve as tools for faculty interested in administration, current chairs seeking mentorship, and upper-level administrators working to diversify their ranks.

Irving Babbitt (1865–1933) and Paul Elmer More (1864–1937) were the leading lights of the New Humanism, a consequential movement of literary and social criticism in America. Through their writings on literary, educational, cultural, religious, and political topics, they influenced countless important thinkers, such as T.S. Eliot, C.S. Lewis, Russell Kirk, Benedetto Croce, Werner Jaeger, and George Will. Their work became the source of heated public debates in the 1920s and early 1930s. The belligerent criticisms of Babbitt and More—composed by such famous intellectuals as Ernest Hemmingway and H.L. Mencken—have ensured that the New Humanism has seldom been properly appreciated. Humanistic Letters helps remedy this problem, by providing for the first time the extant correspondence of Babbitt and More, which gets to the heart of their intellectual project.

Women candidates are under more pressure to communicate competence and likability than men. And when women balance these rhetorical pressures, charges of inauthenticity creep in, suggesting the structural and strategic anti-woman backlash at play in presidential politics. Hillary Clinton demonstrated considerable ability to adapt her rhetoric across roles, contexts, genres, and audiences. Comparisons between Clinton’s campaign speeches and those of her presidential opponents (Barack Obama, Bernie Sanders, and Donald Trump) show that her rhetorical range exceeded theirs. And comparisons with Democratic women candidates of 2020 suggest they too exhibited a rhetorical range and faced a backlash similar to Clinton. Hillary Clinton’s Career in Speeches combines statistical text-mining methods with close reading to analyze the rhetorical highs and lows of one of the most successful political women in U.S. history. Drawing on Clinton’s oratory across governing and campaigning, the authors debunk the stereotype that she was a wooden and insufferably wonkish speaker. They marshal evidence for the argument that the sexist tactics in American politics function to turn women’s rhetorical strengths into political liabilities.

This edited volume examines the most pressing social and political issues confronting Israel from a multidisciplinary perspective, focusing on the breakdown of social solidarity and the inability to formulate consensus.



The contributors – encompassing political scientists, historians, communication researchers, sociologists, economists, and educators – focus on specific topics that serve as exemplary cases of various trends of consensus and polarization. These trends are examined in the context of ideological, religious, economic, national, and ethnic cleavages. In addition, this volume analyzes how political actors’ preference for “non-decision” on various issues has resulted in the maintenance of a status quo, with cleavages or conflicts being neither mitigated nor polarized. Together, this collection of articles paints a picture of Israel as a state racked by increasing polarization along ideological and religious lines. It is argued that this difficulty in determining a consensual definition of the state threatens to destroy social solidarity in Israel altogether, a climate in which “the center cannot hold.”



This book is essential reading for anyone seeking to understand the major internal threats to Israel’s self-definition as a Jewish-democratic state and will also appeal to sociologists and political scientists interested in global polarization trends.

Between Memory and Power intends to demonstrate that a robust culture of historical writing existed in 2nd/8th century Syria, and to offer new methodological approaches to access this now lost history, torn between memory and oblivion. By studying the making of Umayyad heroes or Abbasid origins-myths, this book aims to reveal the successive meanings granted to Syrian history, and to identify the various layers of historical writing and rewriting during the first centuries of Islam. Taken together, these elements make possible a history of meanings of the very space of Syria, articulated around power and its expression, which grants a clear coherence to the period, extending well beyond the dynastic caesura of 132/750.

Based on the auto-ethnographic work of a team of scholars who developed the first Black Digital Humanities program at a research institution, this book details how to centralize Black feminist praxes of care, ethics, and Black studies in the digital humanities (DH).



In this important and timely collection, the authors Catherine Knight Steele, Jessica H. Lu, and Kevin C. Winstead—of the first team of the African American Digital Humanities Initiative—center Black scholars, Black thought, and Black studies in creating digital research and programming. Providing insight into acquiring funding, building and maintaining community, developing curricula, and establishing a national network in the field, this book moves Black persons and Black thought from the margins to the center with a set of best practices and guiding questions for scholars, students, and practitioners developing programming, creating work agreements, building radically intentional pedagogy and establishing an ethical future for Black DH.



This is essential reading for researchers, students, scholars, and practitioners working in the fields of DH and Black studies, as well as graduate students, faculty, and administrators working in humanities disciplines who are interested in forming centers, courses, and/or research programs in Black digital studies.

Choice is the defining issue of the twenty-first century. As the #MeToo movement extends its legal, social, and political reach around the world, the topic of consent has come under particular scrutiny. Shakespeare on Consent examines crises of consent on the early modern stage and argues that these dramatizations provide a framework for understanding the intersections of coercion, complicity, resistance, and agency.



Beginning with the premise that consent serves as a lever of entitlement, Amanda Bailey introduces a Shakespeare well aware that liberal selfhood has never been universally available. Bailey brings Shakespeare’s work into conversation with the Penn State Sandusky scandal, the Bill Clinton–Monica Lewinsky affair, the rise of "somnophilia," Jordan Peele’s documentary on Lorena Bobbitt, Larry David’s Curb Your Enthusiasm, and Harvey Weinstein’s Shakespeare in Love, amongst others. Bailey considers who is denied access to the apparatus of consent, under what circumstances, and how consent is vitiated by race, class, ethnicity, sexuality, disability, and gender.



Shakespeare on Consent is a wake-up call for all implicated in the injurious outcomes of consent and will inspire those wanting to mobilize choice in the service of social and political transformation.

Contributions by Georgiana Banita, Colin Beineke, Harriet Earle, Ariela Freedman, Liza Futerman, Shawn Gilmore, Sarah Hamblin, Cara Koehler, Lee Konstantinou, Patrick Lawrence, Philip Smith, and Kent Worcester.



A carefully curated, wide-ranging edited volume tracing Art Spiegelman’s exceptional trajectory from underground rebellion to mainstream success, Artful Breakdowns: The Comics of Art Spiegelman reveals his key role in the rise of comics as an art form and of the cartoonist as artist. The collection grapples with Spiegelman’s astonishing versatility, from his irreverent underground strips, influential avant-garde magazine RAW, the expressionist style of the comics classic Maus, the illustrations to the Jazz Age poem “The Wild Party,” and his response to the September 11 terrorist attacks to his iconic cover art for the New Yorker, his children’s books, and various cross-media collaborations.



The twelve chapters cut across Spiegelman’s career to document continuities and ruptures that the intense focus on Maus has obscured, yielding an array of original readings. Spiegelman’s predilection for collage, improvisation, and the potent protest of silence shows his allegiance to modernist art. His cultural critique and anticapitalist, antimilitary positions shed light on his vocal public persona, while his deft intertextual strategies of mixing media archives, from comics to photography and film, amplify the poignance of his works.



Developing new approaches to Spiegelman’s comics—such as the publication history of Maus, the history of immigration and xenophobia, and the cartoonist’s elevation of children’s comics—the collection leaves no doubt that despite the accolades his accessible comics have garnered, we have yet to grasp the full range of Spiegelman’s achievements in the realm of comics and beyond.

Israel's Moment is a major new account of how a Jewish state came to be forged in the shadow of World War Two and the Holocaust and the onset of the Cold War. Drawing on new research in government, public and private archives, Jeffrey Herf exposes the political realities that underpinned support for and opposition to Zionist aspirations in Palestine. In an unprecedented international account, he explores the role of the United States, the Arab States, the Palestine Arabs, the Zionists, and key European governments from Britain and France to the Soviet Union, Czechoslovakia and Poland. His findings reveal a spectrum of support and opposition that stood in sharp contrast to the political coordinates that emerged during the Cold War, shedding new light on how and why the state of Israel was established in 1948 and challenging conventional associations of left and right, imperialism and anti-imperialism, and racism and anti-racism.