Research

Rape in Period Drama Television considers the representation of rape and rape myths in a number of the most influential recent television period dramas. Like the corset, has become a shorthand for women's oppression in the past. Sexual violence has long been, and still is, commonplace in television period drama, often used to add authenticity and realism to shows or as a sensationalist means of chasing ratings. However, the authors illustrate that the depiction of rape is more than a mere reminder that the past was a dangerous place for women (and some men). In these series, they argue, rape functions as a kind of “anti-heritage” device that dispels the nostalgia usually associated with period television and reflects back on the current cultural moment, in which the #MeToo and #Timesup movement have increased awareness of the prevalence of sexual abuse, but in which legal and political processes have not yet caught up. In doing so, Rape in Period Drama Television sets out to explore the assumptions and beliefs which audiences continue to hold about rape, rapists, and victims.

We look back to explore the impact of COVID-19 lockdowns on domestic violence amplification in India and the digital activisms that spotlighted this social and health injustice. This analysis focuses on two case studies – the #LockDownMeinLockUp [#LDMLU] campaign mobilized on Instagram, and articles drawn from the digital feminist publication, Feminism in India [FII]. We share our perspectives on how the #LDMLU campaign visually politicized the public nature of a silenced and normalized injustice against at-risk women during a pan-national health crisis. We turn to FII’s reporting on DV exacerbation during India’s pandemic that vocalized this issue from three critical perspectives: structural problems that contribute to gender injustices; financial violence; and mental, emotional, and physical health impacts on abused and at-risk women. In addition to this ‘look back,’ we look ahead to consider calls-to-action and opportunities, digital and/or on-ground, that remain imperative after the urgency of the viral lockdown. We are still at the threshold of activisms waiting, and needing, to happen. We conclude with questions for ourselves and our readers about what happens to advocacy when urgency ends. This growing body of feminist work demonstrates that advocacy will persist across physical and virtual landscapes. It is our responsibility and hope, as gender and communication scholars, to rally challenges against oppression based on gender or sex. Domestic violence against Indian women is continually overlooked. Our collective perspective intends to consolidate visibility toward such acts of abuse at the center of this scholarly piece.

We conduct a thematic analysis of digital news articles (2016–2020) about religious celebrations of Holi or “Phagwa” in Trinidad and Tobago to explore media representations of the festival of colors and Trinidadian cultural identity. We adopt Stuart Hall’s understanding of cultural identity and diaspora, and draw on Davis’ cultural performance framework that connects observable communicative practices to cultural performances. Two themes frame our analysis, Phagwa as (1) poetic process of performing religious identity and (2) power-play in performing national identity, suggesting that Phagwa rituals and local media attest to color-play as a complex, communicative practice used to demand attention and affirm participants’ religious (Hindu) and national (Indo-Trinidadian) cultural identities. Our findings represent a critical exploration of one religious festival played in a diasporic spatial context, interrogating issues around culture, power, religious identity, and digital media depictions in the act of celebration.

As a dauntless practitioner of exulansis, Marjan Moosavi writes this Note from the Field in an attempt to unlearn my practice of keeping silent about the challenges of moving across borders. It is based on a survey she did about the challenges and issues (e.g., securing visas and funds) that Middle Eastern and North African (MENA) scholars/researchers sadly encounter when they decide to participate in US conferences. While offering specific action items to the ATHE organizing committee, she reminds her fellow MENA colleagues who have experienced disconnect that their sadness should prompt a vivid upsurge of collective attention to the countless possibilities we organizers and participants still have for cosmopolitan friendship while taking joy and grief all in, at once, from afar.

Moving past the conflation of state socialism with all socialist projects, this book opens up avenues for addressing socialist projects rooted in decolonial and antiracist politics. To that end, this anthology brings together scholarship across regions that engages postsocialism as an analytic that connects the ‘afters’ of the capitalist– socialist dynamic to present day politics. Resisting the revolutionary teleology of what was before, “postsocialism” can function to create space to work through ongoing legacies of socialisms in the present.



Looking at the Middle East, Scandanavia, Korea, Romania, China, and the US, the chapters in this book assess ongoing socialist legacies in new ethical collectivities and networks of dissent opposing state- and corporate- based military, economic, and cultural expansionism since the end of the Cold War.



The majority of the chapters in this book were originally published as a special issue of the journal, Social Identities.

It has long been assumed that infants’ ability to discriminate between languages stems from their sensitivity to speech rhythm, i.e., organized temporal structure of vowels and consonants in a language. However, the relationship between speech rhythm and language discrimination has not been directly demonstrated. Here, we use computational modeling and train models of speech perception with and without access to information about rhythm. We test these models on language discrimination, and find that access to rhythm does not affect the success of the model in replicating infant language discrimination results. Our findings challenge the relationship between rhythm and language discrimination,

Events of social exchange, such as givings and tradings, are uniquely prevalent in human societies and cognitively privileged even at early stages of development. Such events may be represented as having 3 or even 4 participants. To do so in visual working memory would be at the limit of the system, which throughout development can track only 3 to 4 items. Using a case study of trading, we ask (i) whether adults can track all four participants in a trading scene, and (ii) whether they do so by chunking the scene into two giving events, each with 3 participants, to avoid placing the visual working memory system at its limit. We find that adults represent this scene under a 4-participant concept, and do not view the trade as two sequential giving events. We discuss further implications for event perception and verb learning in development.

Background: Tobacco use and exposure are leading causes of morbidity and mortality worldwide. In the past decade, educational efforts to reduce tobacco use and exposure have extended to social media, including video-sharing platforms. YouTube is one of the most publicly accessed video-sharing platforms.

Purpose: This cross-sectional descriptive study was conducted to identify and describe sources, formats, and content of widely viewed YouTube videos on smoking cessation.

Methods: In August to September 2023, the keywords “stop quit smoking” were used to search in YouTube and identify 100 videos with the highest view count.

Results: Collectively, these videos were viewed over 220 million times. The majority (n = 35) were posted by nongovernmental/ organization sources, with a smaller number posted by consumers (n = 25), and only eleven were posted by governmental agencies. The format used in the highest number of videos was the testimonial (n = 32 videos, over 77 million views). Other popular formats included animation (n = 23 videos, over 90 million views) and talk by professional (n = 20 videos, almost 43 million views). Video content included evidence-based and non-evidence-based practices. Evidence-based strategies aligned with U.S. Public Health Service Tobacco Treatment Guidelines (e.g. health systems approach in tobacco treatment, medication management). Non-evidence-based strategies included mindfulness and hypnotherapy. One key finding was that environmental tobacco exposure received scant coverage across the videos.

Conclusions: Social media such as YouTube promises to reach large audiences at low cost without requiring high reading literacy. Additional attention is needed to create videos with up-todate, accurate information that can engage consumers.

This book begins with an audacious question: Has there ever been a better home for Jews than Canada? By certain measures, Canada might be the most socially welcoming, economically secure, and religiously tolerant country for Jews in the diaspora, past or present. No Better Home? takes this question seriously, while also exploring the many contested meanings of the idea of "home."

Contributors to the volume include leading scholars of Canadian Jewish life as well as eminent Jewish scholars writing about Canada for the first time. The essays compare Canadian Jewish life with the quality of life experienced by Jews in other countries, examine Jewish and non-Jewish interactions in Canada, analyse specific historical moments and literary texts, reflect deeply personal histories, and widen the conversation about the quality and timbre of the Canadian Jewish experience. No Better Home? foregrounds Canadian Jewish life and ponders all that the Canadian experience has to teach about Jewish modernity.

Co-edited by Vardit Lightstone, Post-Doc fellow for Jewish Studies

University of Toronto Press

Piotr Kosicki  recently had his article published in the Journal of the History of Ideas. Titled "Channeling Erasmus in Communist Poland: Leszek Kołakowski, Vatican II, and the Reinvention of 'Counter-Reformation'", this article appears in Issue one of Volume eighty-five. You can access the issue in which this article was published HERE.